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—. “Spatial Figures in Soviet Cinema of the 1930s.” Trans. Jeffrey Karlsen. The Landscape of Stalinism: The Art and Ideology of Soviet Space. Ed. Evgeny Dobrenko and Eric Naiman. Seattle: U of Washington P, 2003. 51-76.
Bulgakowa, Oksana, ed. Die ungewöhnlichen Abenteuer des Dr. Mabuse im Lande der Bolschewiki: Das Buch zur Filmreihe “Moskau–Berlin.” Berlin: Freunde der Deutschen Kinemathek, 1995.
Christie, Ian. “Canons and Careers: The Director in Soviet Cinema.” Stalinism and Soviet Cinema. Ed. Richard Taylor and Derek Spring. London: Routledge, 1993.
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Dashkova, T. Iu. “Liubov’ i byt v kinolentakh 1930 – nachala 1950-kh godov.” Otechestvennaia istoriia 6 (December 2003): 59-67.
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Dobrenko, Evgeny. “Creation Myth and Myth Creation in Stalinist Cinema.” Studies in Russian and Soviet Cinema 1.3 (2007): 239-264.
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Drobaschenko, Sergej and Manfred Hagen. Sowjetisch Filmpropaganda zur Westexpansion der UdSSR, 1939-1940: Ausgewählte Berichte der Staatswochenschau “Sojuskinoschurnal”. Göttingen: Institut den Wissenschaftlichen Film, 1999.
Gauthier, Christophe. “Une ténébreuse affaire: Abel Gance distributeur du cinéma soviétique (1931-1932).” In Le Cinéma “stalinien”: Questions d’histoire. Ed. Natacha Laurent. Toulouse: Presses Universitaires de Mirail, 2003. 201-213.
Graffy, Julian. “Urban Legends: Ten Cities that Shook Cinema.” Sight & Sound June 2000: 26-29.
Günther, Hans. “Wise Father Stalin and His Family in Soviet Cinema.” Socialist Realism Without Shores. Ed. Thomas Lahusen and Evgeny Dobrenko. Durham: Duke University Press, 1997.
Haynes, John. New Soviet Man: Gender and Masculinity in Stalinist Soviet Cinema. Manchester: Manchester UP, 2003.
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Hicks, Jeremy. “Lost in Translation?: Early Soviet Sound Film Abroad.” In Russia and its Other(s) on Film: Screening Intercultural Dialogue . Ed. Stephen Hutchings. NY: Palgrave Macmillan, 2008. 113-129.
Hoberman, J. “A Face to the Shtetl: Soviet Yiddish Cinema, 1924-36.” Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Ed. Richard Taylor and Ian Christie. London: Routledge, 1991.
Iakovleva, Natalia. “À propos de l’image de la France dans quelques films soviétiques (1929-1956).” In Le Cinéma “stalinien”: Questions d’histoire. Ed. Natacha Laurent. Toulouse: Presses Universitaires de Mirail, 2003. 193-199.
Kaganovsky, Lilya. How the Soviet Man was Unmade: Cultural Fantasy and Male Subjectivity under Stalin. Pittsburgh: U of Pittsburgh P, 2008.
Kenez, Peter. “Black and White: The War on Film.” Culture and Entertainment in Wartime Russia. Ed. Richard Stites. Bloomington: Indiana UP, 1995.
–. Cinema and Soviet Society, 1917-1953. NY: Cambridge UP, 1992.
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Kepley, Vance Jr. “Building a National Cinema: Soviet Film Education, 1918-1934.” WideAngle 9.3 (1987): 4-20.
–. “The First ‘Perestroika’: Soviet Cinema under the First Five-Year Plan.” Cinema Journal 35.4 (Summer 1996): 31-53.
–. “The Workers’ International Relief and the Cinema of the Left, 1921-1935.” Cinema Journal 23.1 (Fall 1983): 7-23.
Kherroubi, Aïcha and Valérie Posener. Le Studio Mejrabpom: ou l’aventure du cinéma privé au pays des bolcheviks. Les Dossiers du musée d’Orsay 59. Paris: Réunion des Musées Nationaux, 1996.
Khokhlova, Ekaterina. “Forbidden Films of the 1930s.” Stalinism and Soviet Cinema. Ed. Richard Taylor and Derek Spring. London: Routledge, 1993.
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Khrenov, Andrei. “Power and Technology as the Political-Aesthetic Project: Towards the Similarity of the Russian Avant-Garde of the Twenties and Stalinist Cinema.” The Harriman Review 12.4 (November 2000): 20-24.
Kozlov, Leonid. “The Artist and the Shadow of Ivan.” Stalinism and Soviet Cinema. Ed. Richard Taylor and Derek Spring. London: Routledge, 1993.
Lahusen, Thomas. “Ot nesinkhronizirovannogo smekha k post-sinkhronizovannoi komedii, ili Kak stalinskii miuzikl dognal i peregnal Gollivud.” Sovetskoe bogatstvo: Stat’i o kul’ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Peterburg: Akademicheskii proekt, 2002. 342-357.
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Liebman, Stuart. “Once Upon a Time in the Soviet Union.” Cineaste 24.1 (1998): 76-80.
Liehm, Mira and Antonin J. The Most Important Art: Soviet and East European Film After 1945. Berkeley: U of CA P, 1977.
Listov, Viktor and Elena Khokhlova, compl. Istoriia otechestvennogo kino: Dokumenty, memuray, pis’ma. vyp. 1. Moskva: Materik, 1996.
Maksimenkov, L.V., et al, comp. Kremlevskii kinoteatr, 1928-1953. Kul’tura i vlast’ ot Stalina do Gorbacheva. Moskva: “Rossiiskaia politicheskaia entsyklopediia” (ROSSPEN), 2005.
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Mar’iamov, Grigorii. Kremlevskii tsenzor: Stalin smotrit kino. Moskva: Kinotsentr, 1992.
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Miller, Jamie. “Educating the Filmmakers: The State Institute of Cinematography in the 1930s.” The Slavonic and East European Review 85.3 (July 2007): 462-490.
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Nembach, Eberhard. Stalins Filmpolitik: Der Umbau der sowjetischen Filmindustrie 1929 bis 1938. St. Augustin: Gardez! Verlag, 2001.
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Prokhorov, Alexander. “Inherited Discourse: Stalinist Tropes in Thaw Culture.” Diss. U of Pittsburgh, 2002.
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Schmulevitch, Éric. Réalisme socialiste et cinéma: Le cinéma stalinien (1928-1941). Paris: Editions L’Harmattan, 1996.
Selunskaya, Valeriya and Maria Zezina. “Documentary Film–A Soviet Source for Soviet Historians.” Stalinism and Soviet Cinema. Ed. Richard Taylor and Derek Spring. London: Routledge, 1993.
Short, K.R.M. and Richard Taylor. “Soviet Cinema and the International Menace, 1928-1939.” Historical Journal of Film, Radio and Television 6.2 (1986): 131-159.
Solov’ev, Vladimir. Velikie i nepovtorimye: Aktery russkogo sovetskogo kino 30kh-40kh godov. vol. 2. Moskva: Gosfilmofond Rossii, n.d.
Spring, Derek. “Soviet newsreel and the Great Patriotic War.” Propaganda, politics and film, 1918-1945. Ed. Nicholas Pronay and D.W. Spring. London: MacMillan P, 1982.
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Stollery, Martin. Alternative Empires: European Modernist Cinemas and Cultures of Imperialism. Exeter: U of Exeter P, 2000.
Taylor, Richard. “But eastward, look, the land is brighter: towards a topographyy of utopia in the Stalinist musical.” 100 Years of European cinema: Entertainment or ideology? Ed. Diana Holmes and Alison Smith. Manchester: Manchester UP, 2000. 11-26.
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—. “K topografii utopii v stalinskom miuzikle.” Sovetskoe bogatstvo: Stat’i o kul’ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Peterburg: Akademicheskii proekt, 2002. 358-370.
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Taylor, Richard and Ian Christie, eds. The Film Factory: Russian and Soviet Cinema in Documents, 1896-1939. Cambridge, MA: Harvard UP, 1988.
–, eds. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. London: Routledge, 1991.
Taylor, Richard and Derek Spring, eds. Stalinism and Soviet Cinema. London: Routledge, 1993.
Tokarev, V. A. “‘Kara! Panam! Kara!’: Pol’skaia tema v predvoennom kino (1939-1941 gody).” Otechestvennaia istoriia 6 (December 2003): 47-79.
Turovskaia, Maia. “Mosfil’m–1937.” Sovetskoe bogatstvo: Stat’i o kul’ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt, 2002. 277-294.
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–. “Notes on Women and Film.” Trans. Jonathan Flatley. Discourse 17.3 (Spring 1995): 7-23.
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Turowskaja, Maja. “Das Kino der totalitären Epoche.” Die ungewöhnlichen Abenteuer des Dr. Mabuse im Lande der Bolschewiki: Das Buch zum Filmreihe “Moskau–Berlin”. Ed. Oksana Bulgakowa. Berlin: Freunde der Deutschen Kinemathek, 1995. 235-243.
URSS, 50 ans de cinéma retrouvé. Les Ecrans de la liberté. Paris: La Cinémathèque Française, 1990.
Vartanov, A. S. and Neia Zorkaia. Ekrannye iskusstva i literatura. Moskva: Nauka, 1991.
Widdis, Emma. “Borders: The Aesthetic of Conquest in Soviet Cinema of the 1930s.” Journal of European Studies 30.4 (2000): 353-460.
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Yangirov, Rashit. “Onwards and Upwards: The Origins of the Lenin Cult in Soviet Cinema.” Stalinism and Soviet Cinema. Ed. Richard Taylor and Derek Spring. London: Routledge, 1993.
Youngblood, Denise J. “The Fate of Soviet Popular Cinema During the Stalin Revolution.” The Russian Review 50 (April 1991): 148-162.
–. Soviet Cinema in the Silent Era, 1918-1935. UMI Research Press, 1985 (reissued: Austin: U of Texas P, 1990).
4.4.1. Socialist Realism
Balina, Marina, Evgenii Dobrenko, and Iurii Murashov, eds. Sovetskoe bogatstvo: Stat’i o kul’ture, literature i kino. St. Petersburg: Akademicheskii proekt, 2002.
Ermolaev, Herman. Soviet Literary Theories, 1917-1934: The Genesis of Socialist Realism. NY: Octagon, 1977.
Günther, Hans and Evgenii Dobrenko, eds. Sotsrealisticheskii kanon. St. Petersburg: Akademicheskii proekt, 2000.
Gutkin, Irina. The Cultural Origins of the Socialist Realist Aesthetic, 1890-1934. Studies in Russian Literature and Theory. Evanston: Northwestern UP, 1999.
James, C. Vaughan. Soviet Socialist Realism: Origins and Theory. NY: St. Martin’s P, 1973.